In outline, The King’s Speech sounds like a Wayans Brothers spoof (Oscar Movie) of a Weinstein Brothers prestige film: the King of England, a victim of society’s prejudice against stutterers, is empowered by an impudent immigrant therapist to overcome his stiff upper lip just in time to rouse his countrymen to defeat Hitler.Read the whole thing there.
Here, though, practice does make perfect. The King’s Speech is delightful: fast-paced, funny, touching, and extraordinarily well-acted.
Veteran TV-movie screenwriter David Seidler (who finally has written a cinema hit at age 73) is aware that overcoming one’s fear of public speaking isn’t an exceptionally edifying Triumph of the Human Spirit story, but it’s something with which almost everybody can identify. The British Royal Family remains of broad interest because it plays out on a grand stage such human-scale dramas as speech impediments and engagements.
The King’s Speech illustrates G. K. Chesterton’s 1905 insight that hereditary kingship is “in essence and sentiment democratic because it chooses from mankind at random. If it does not declare that every man may rule, it declares the next most democratic thing; it declares that any man may rule.”