The upcoming NYC top cop, the effective William Bratton, is being welcomed with hosannas by the New York Times as a supposed civil rights superhero. In the article and op-ed there is no mention of that interview, but plenty of misleading allusions to how Bratton cleaned up the LAPD's white racist Ramparts Scandal.
Published: December 6, 2013
... When he was appointed here in 2002, Mr. Bratton took the reins of a department that was mired in scandal and was seen as openly hostile to black and Latino residents. Just a decade before, deadly riots broke out after the acquittal of police officers who beat Rodney G. King, a black driver who had been pulled over for speeding. A few years later, pervasive misconduct and corruption were uncovered in the Rampart Division, with dozens of officers implicated in allegations involving framing suspects and the use of false evidence, as well as stealing and dealing drugs.
William J. Bratton’s Record Bodes Well for New York
By CONNIE RICE
Published: December 10, 2013 Comment
LOS ANGELES — WHEN I first met Bill Bratton, at a Christmas party in Los Angeles in 2002, I told him that it was nothing personal but I would soon be suing him, just as I had sued several Los Angeles police chiefs before him. That was my job as a civil rights lawyer, and at that time, we had a rogue police force that refused civilian control, rejected court orders, abused people of color and acted with terrifying impunity.
It was three months since William J. Bratton had been hired to fix the disgraced Los Angeles Police Department after a disastrous decade that had started with the beating of Rodney G. King, setting off the deadliest race riot in recent American history, and ended with revelations about a gangster-cop ring that had planted evidence, stolen drugs and attempted murder. The L.A.P.D. looked to many more like the Mafia than the police, more stop-and-shoot than stop-and-frisk.
In reality, the central rogue cops in the late 1990s Ramparts scandal were all diversity hires like Rafael Perez (the basis for Oscar winner Denzel Washington's character in Training Day) and Kevin Gaines (the basis for the black cop with $300,000 in his trunk who is shot by the white cop in Oscar winner Crash).
It's a little weird that Hollywood screenwriters have a more careful regard for the truth in this case than the newspapers. It's like a modern Man Who Shot Liberty Valance.
So, what's going on? Well, the New York Times basically wants Bratton to kick ass on the streets. They don't want street crime and they don't want the new Democratic mayor to get in trouble over street crime. So, everybody pretends that Bratton is the man who cleaned out all those white racists in the Ramparts Scandal.
New York is special.