In the Internet Age, an increasing fraction of media ”content” is generated by young nobodies, much to the disgust of old pros, such as screenwriter Aaron Sorkin of TV’s The West Wing: ”I am all for everyone having a voice, I just don’t think everyone has earned the microphone. And that’s what the Internet has done.”Read the whole thing there.
Sorkin has teamed up with veteran director David Fincher (Fight Club) to strike back at Kids These Days by making a supremely accomplished bit of up-market razzle-dazzle, The Social Network, an enjoyably bogus hatchet job on 26-year-old zillionaire Mark Zuckerberg, founder of Facebook.com. Hyped as The Film that Defines a Generation, The Social Network is more an entertaining compendium of the worries of the new generation’s upper middle class parents: elite colleges, IQ, money, the social status of their kids on the marriage market, and why young people never go outside anymore.
The Social Network asks: How could somebody who is extremely smart but not intuitively gifted at making and keeping friends ever figure out the logic underlying friendship well enough to program it into a computer?
Doesn’t that question answer itself? ...
There’s much debate in the press about how realistically the film portrays the tycoon. The obvious answer is that Sorkin is projecting onto Zuckerberg his own (perhaps not wholly undeserved) self-loathing over sex, drugs, class, and ethnicity.