Alien Nation Review: The Far Right Leans Into The Bell Curve
Mark Taub on the row over America's latest anti-immigration zealot
By Mark Taub
The Guardian (London)
May 5, 1995
WHEN RICHARD Herrnstein and Charles Murray's
The Bell Curve was published in the United
States last fall, it rocked the country's political
landscape like an earthquake. Race relations have soured
in recent years, and the last thing the country needed
was a book arguing that socio-economic differences
between blacks and whites can be explained by different
levels of intelligence.
One of the most fervent Bell Curve supporters
was Peter Brimelow, a British -born senior editor at
Forbes and the National Review (America's
equivalent of the Spectator). In a three-page
Forbes article, he argued that US state schools should
stop spending so much money on "dumb" (read black) kids,
and rather invest in their bright (white) counterparts.
Now, Brimelow is stirring up a Bell Curve-size
scandal of his own, with Alien Nation: Common Sense
About America's Immigration Disaster (Random House, 327
pages, $ 24). The book is readily summarised:
Brimelow proposes to abolish the Immigration Act of 1965
and return to racial selection favouring whites.
Immigration, particularly illegal immigration, is a
key issue in California, Florida and Texas—crucial
states in the 1996 presidential election. Yet though
most Americans have strong opinions on this subject,
Alien Nation is devoid of first-hand reporting.
Rather, Brimelow relies almost exclusively on
statistics, which he twists and tortures until they seem
to fit his arguments.
For example, he argues that while the population of
most developed countries is stable, immigration leads to
the crowding of America. If current levels of
immigration (7.3 million from 1981-90) are sustained, he
warns, the United States will have a population of 391
million by 2050 (up from about 250 million today). Of
course, he fails to mention that even if this scenario
comes true, America's population density will still be
less than one -fifth of the United Kingdom's today.
Brimelow also points out that, according to a 1993
Newsweek poll, 60 per cent of Americans thought
immigration levels were bad for the country. Even in
traditionally pro-immigration New York, 66 per cent of
the natives thought immigration was bad for the city,
according to the New York Times. Even 51 per cent
of immigrants agreed. But rather than differentiating
between the idea of America as an immigrant country and
certain controversial aspects of immigration (such as
social services for illegal immigrants), he abuses these
polls as "evidence" that egalitarian immigration
policies drawn up in 1965 are a dictate of the liberal
elites.
Behind all these contortions lurks the paranoid and
tribal concept of the United States as an "ethnocultural
community" in peril. Brimelow is convinced that
America's dwindling white majority (about 90 per cent
from 1900-1960, 75.7 per cent in 1990 and an estimated
52.7 per cent in 2050) is "being inundated, quite
deliberately, as a matter of public policy" and demands
that the country's racial balance be "shifted back". And
that's just the tip of the iceberg. Immigration,
particularly from Central and South America, has, among
other things, depressed wages and drained government
funds; it is associated with crime and the rise of
multiculturalism, with pollution and disease.
Like all racist books, Alien Nation brims with
hyperbole, polemics and inconsistencies. Some samples:
the Heart of Darkness angle—"Just as when you leave Park
Avenue and descend into the subway, when you enter the
INS (Immigration and Naturalisation Services)
waiting-rooms, you find yourself in an underworld that
is not just teeming but also almost entirely coloured."
The horror! The "crocodile tears for American blacks
angle"—immigrants crowd blacks out of jobs; Brimelow
suggests that they contribute to black "social
pathology". The "blacks have poisoned the town well"
angle—reacting to the New York Times columnist A M
Rosenthal, who suggested that Haitian immigrants, as
refugees from a regime of terror, should be embraced,
Brimelow cautions: "Be careful about those embraces, Mr
Rosenthal, sir. Some 3 per cent of the Haitian refugees
at Guantanamo tested HIV-positive." And the "all whites
are equal, but some are more equal than others" angle:
the US should let in "hundreds of thousands" of
"tormented" Eastern Europeans, says Brimelow. But
Russian Jews—resurgent anti-Semitism or not—should not
be considered refugees by the States. Maybe they just
aren't the right kind of East Europeans? After all, he
expounds on the Jewish component in the Russian mafia.
Maybe he believes that Russian Jews, being Jews, aren't
real Europeans?
Despite his blatantly racist outlook, Brimelow has
actually insinuated himself into the epicentre of media
attention and on to the bookshelves of mainstream
Americans. Like The Bell Curve, Alien Nation is
disguised as "common sense" about an issue connected to
race. The author would like to have his readers believe
that his book is a bluntly honest critique of US
immigration policy. But it can also be seen as an
attempt to make racism fit for good society again.
Brimelow also follows The Bell Curve's example
when it comes to presenting the "evidence". Since the
late 19th century, racists have been hard pressed to
rationalise their quintessentially anti -rational
worldview. The Nazis flooded Germany with charts on the
supposed genetic make-up of Jews and their
distinguishing physical features. More recently,
Herrnstein's and Murray's bell-curve graph offered a
reassuringly "scientific" argument for prejudice.
Brimelow follows suit with his so-called "Pincers", a
chart that shows America's white population shrinking
fast, mercilessly squeezed by the Hispanic population on
the one hand, and the black and Asian population on the
other.
Liberal and centrist publications, such as the New
Yorker, Business Week, New York Magazine and the
New York Times Book Review have of course condemned
the book. The reaction of the political right, however,
is surprising. The Bell Curve evoked an even
split, but Alien Nation is being rejected by most
factions of American conservatism.
The Wall Street Journal, America's leading
libertarian publication, describes Alien Nation as "a
blueprint for a resurgent isolationism, for the return
of a fortress mentality." Contrary to Brimelow, the
journal's editor-in-chief, Robert Bartley, has proposed
to end illegal immigration once and for all with a
simple constitutional amendment: "There shall be open
borders."
The National Review offered not one, but four
reviews of Alien Nation. One of the reviewers, Rand
Corporation scholar
Francis Fukuyama (The End of History) probably best
reflects mainstream American conservative opinion,
criticising Brimelow's "old-fashioned, blood-and-soil,
racial" explanation of American identity. Preserving
American culture, says Fukuyama, has nothing to do with
race, "for none of the problems of cultural incoherence
. . . would go away . . . if all immigration, legal and
illegal, ended tomorrow."
Shunned by mainstream conservatives, libertarians and
neo-conservatives, Brimelow finds agreement mainly on
the ultra-nationalist fringe. Fellow-immigrants from
Britain include National Review editor John
O'Sullivan, who published the 1992 essay on which
Alien Nation is based, and who told The New York
Observer that the book is "a real advance for people
who believe in some restrictions." Harold Evans,
president and publisher of Random House was, according
to the same paper, so convinced that “Peter totally
proves his case" that he even involved himself "at the
level of picking the typeface, the cover art and the
message."
After all the hoopla is over, what will remain?
Everyone heard about The Bell Curve, many bought
it, but only a few actually forced themselves through
the entire tome. The issue died down after a few weeks
and everybody was happy again. When the storm in
Brimelow's teacup dies down, Alien Nation will
meet the same fate. Brimelow has achieved only a partial
success, but even partial success at promoting racism is
a bad omen.